The Future Will Be Like Perfume | Are.na Editorial

The dynamic echoes social and cultural geographer Tim Edensor’s idea of ruins as fluid spaces, where limits on material curiosity and imagination are let go, and exploration of alternative futures can thrive.

As the realm of virtual information complexifies, it is increasingly difficult to collectively experience, let alone agree on concrete descriptions of events. The platforms we use to communicate often lack archival affordances, optimizing instead for the nonstop production of new content. So context collapses and signifiers empty their meaning. Whe... See more

We’re lost in the garden of forking memes, and the idea of linear progress along a single historical time line seems like a quaint artifact from a much simpler era. Grand visions of the future are few and far between; the pop cultural landscape is littered with post-apocalyptic dystopias. If we want to make sense of how we got here, we have to unde... See more

Today, we are nostalgists as much as we are futurists. The new technology enables the simultaneous experience and enactment of events from a multiplicity of positions. Far from signalling its demise, these emergent networks facilitate the democratisation of history, illuminating the forking paths along which its grand narratives may navigate the he

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we’re in the middle of a Holy Grail Scenius: global instead of local, with the internet as the scene, bound only by time but no longer by space.

We are in a period which I think is dominated by two great cultural signifiers. An analog system that belonged to our parents, which has been shot full of holes. It is the symbol of the ruined castle. "Gothic High-Tech." The ruins of the unsustainable. And the other symbol is the favela slum, "Favela Chic," the informalized, illegalized, heavily ne... See more