We tend to think of the artist’s work as the output. The real work of the artist is a way of being in the world.

Nature transcends our tendencies to label and classify, to reduce and limit. The natural world is unfathomably more rich, interwoven, and complicated than we are taught, and so much more mysterious and beautiful.

Another approach to overcoming insecurities is to label them. I was working with an artist who was frozen by doubts and unable to move forward. I asked if he was familiar with the Buddhist concept of papancha, which translates as preponderance of thoughts. This speaks to the mind’s tendency to respond to our experiences with an avalanche of mental

Look for what you notice but no one else sees.

Talent is the ability to let ideas manifest themselves through you.

Rules direct us to average behaviors. If we’re aiming to create works that are exceptional, most rules don’t apply. Average is nothing to aspire to. The goal is not to fit in. If anything, it’s to amplify the differences, what doesn’t fit, the special characteristics unique to how you see the world.

It’s helpful to view currents in the culture without feeling obligated to follow the direction of their flow. Instead, notice them in the same connected, detached way you might notice a warm wind. Let yourself move within it, yet not be of it.

There are no shortcuts. The lottery winner isn’t ultimately happy after their sudden change of fortune. The home built hastily rarely survives the first storm. The single-sentence summary of a book or news event is no substitute for the full story.

To see what no human has seen before, to know what no human has known before, to create as no human has created before, it may be necessary to see as if through eyes that have never seen, know through a mind that has never thought, create with hands that have never been trained. This is beginner’s mind—one of the most difficult states of being to