
The Cost of Living: A Working Autobiography

who were happiest when a dog quoted a line of poetry.
Deborah Levy • The Cost of Living: A Working Autobiography
shaping. She had burst solid form open to make a pierced form, a hole, after the birth of her first child in 1931. Hepworth described sculpture as ‘the three-dimensional realization of an idea’.
Deborah Levy • The Cost of Living: A Working Autobiography
The foreigner, the stranger, he too must learn to make a forgery of himself. He must imitate the host culture.
Deborah Levy • The Cost of Living: A Working Autobiography
If we don’t have names, who are we?
Deborah Levy • The Cost of Living: A Working Autobiography
Ideas come to us as the successors to griefs, and griefs, at the moment when they change into ideas, lose some part of their power to injure the heart.
Deborah Levy • The Cost of Living: A Working Autobiography
Freud was intrigued by how in dreams it was his patients most invested in appearing to be rational
Deborah Levy • The Cost of Living: A Working Autobiography
it an unthanked, unloved, neglected, exhausted woman.
Deborah Levy • The Cost of Living: A Working Autobiography
she made art because her emotions were bigger than herself.
Deborah Levy • The Cost of Living: A Working Autobiography
To become the person someone else had imagined for us is not freedom – it is to mortgage our life to someone else’s fear. If we cannot at least imagine we are free, we are living a life that is wrong for us.