
The Book of Disquiet (Penguin Modern Classics)

What is there to confess that’s worthwhile or useful? What has happened to us has happened to everyone or only to us; if to everyone, then it’s no novelty, and if only to us, then it won’t be understood.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
Few men devoted, like me, to dreaming are lucid enough to laugh at the aesthetic possibility of dreaming of themselves in this way.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
The truly wise man is the one who can keep external events from changing him in any way. To do this, he covers himself with an armour of realities closer to him than the world’s facts and through which the facts, modified accordingly, reach him.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
Whenever I’ve tried to free my life from a set of the circumstances that continuously oppress it, I’ve been instantly surrounded by other circumstances of the same order, as if the inscrutable web of creation were irrevocably at odds with me. I yank from my neck a hand that was choking me, and I see that my own hand is tied to a noose that fell
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Knowing what my life has been up till now – so often and so completely the opposite of what I wanted –, what can I assume about my life tomorrow, except that it will be what I don’t assume, what I don’t want, what happens to me from the outside, reaching me even via my will?
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
No one would love himself if he really knew himself, and without the vanity which is born of this ignorance and is the blood of the spiritual life, our souls would die of anemia.
Fernando Pessoa • The Book of Disquiet (Penguin Modern Classics)
One of the soul’s great tragedies is to execute a work and then realize, once it’s finished, that it’s not any good. The tragedy is especially great when one realizes that the work is the best he could have done. But to write a work, knowing beforehand that it’s bound to be flawed and imperfect; to see while writing it that it’s flawed and
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And I start to wonder how I’m able to go on, how I dare have the faint-heartedness to be here among these people, exactly like them, in true conformity to their shoddy illusion. Like flashes from a distant lighthouse, I see all the solutions offered by the imagination’s female side: flight, suicide, renunciation, grandiose acts of our aristocratic
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From them I get a joyful sense of expansive life that contemplates large open spaces without actually travelling through them.