
The Book: On the Taboo Against Knowing Who You Are

The narrow slit in the fence is much like the way in which we look at life by conscious attention, for when we attend to something we ignore everything else. Attention is narrowed perception. It is a way of looking at life bit by bit, using memory to string the bits together—as when examining a dark room with a flashlight having a very narrow beam.
Alan Watts • The Book: On the Taboo Against Knowing Who You Are
Orderly travel now means going at the maximum speed for safety from point to point, but most reachable points are increasingly cluttered with people and parked cars, and so less worth going to see, and for similar reasons it is ever more inconvenient to do business in the centers of our great cities. Real travel requires a maximum of unscheduled wa
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that what we call “things” are no more than glimpses of a unified process.
Alan Watts • The Book: On the Taboo Against Knowing Who You Are
Essentially, this game is a demand for spontaneous behavior of certain kinds. Living, loving, being natural or sincere—all these are spontaneous forms of behavior: they happen “of themselves” like digesting food or growing hair.
Alan Watts • The Book: On the Taboo Against Knowing Who You Are
one is left with a mind of his own: there is just a vast and complex community-mind, endowed, perhaps, with such fantastic powers of control and prediction that it will already know its own future for years and years to come.
Alan Watts • The Book: On the Taboo Against Knowing Who You Are
Lu
Cedric Hardwicke said that his only regret was that he could not have lived in the Victorian Age—with penicillin. I am still grateful that I do not have to submit to the doctoring and dentistry of my childhood, yet I realize that advances in one field are interlocked with advances in all others. I could not have penicillin or modern anesthesia with
... See moreAlan Watts • The Book: On the Taboo Against Knowing Who You Are
the universe in general and playing in particular are, in a special sense, “meaningless”: that is, they do not—like words and symbols—signify or point to something beyond themselves, just as a Mozart sonata conveys no moral or social message and does not try to suggest the natural sounds of wind, thunder, or birdsong.
Alan Watts • The Book: On the Taboo Against Knowing Who You Are
Individual feelings about death are conditioned by social attitudes, and it is doubtful that there is any one natural and inborn emotion connected with dying. For example, it used to be thought that childbirth should be painful, as a punishment for Original Sin or for having had so much fun conceiving the baby.