The Artist's Way

4. Time Travel: Select and write out one horror story from your monster hall of fame. You do not need to write long or much, but do jot down whatever details come back to you—the room you were in, the way people looked at you, the way you felt, what your parent said or didn’t say when you told about it. Include whatever rankles you about the incident:

The exercises in each week are critical. So are the morning pages and the artist date. (More

Pointed criticism, if accurate, often gives the artist an inner sense of relief: “Ah, hah! so that’s what was wrong with it.” Useful criticism ultimately leaves us with one more puzzle piece for our work.

9. List five people you wish you had met who are dead. Now, list five people who are dead whom you’d like to hang out with for a while in eternity. What traits do you find in these people that you can look for in your friends?

Working with this process, I see a certain amount of defiance and giddiness in the first few weeks. This entry stage is followed closely by explosive anger in the course’s midsection. The anger is followed by grief, then alternating waves of resistance and hope. This peaks-and-valleys phase of growth becomes a series of expansions and contractions,

2. Where does your time go? List your five major activities this week. How much time did you give to each one? Which were what you wanted to do and which were shoulds? How much of your time is spent helping others and ignoring your own desires? Have any of your blocked friends triggered doubts in you?

2. Take yourself on an artist date. You will do this every week for the duration of the course. A sample artist date: take five dollars and go to your local five-and-dimc. Buy silly things like gold stick-em stars, tiny dinosaurs, some postcards, sparkly sequins, glue, a kid’s scissors, crayons. You might give yourself a gold star on your envelope eac

This chapter explains these tools carefully and in depth. Please read it with special care and begin the immediate use of both tools.

Filling the well involves the active pursuit of images to refresh our artistic reservoirs.