The Art of Gig, Volume 1
This is the divide between the Positioning and People schools of consulting. The essential difference between the two schools is that the Positioning school takes its intellectual cues from economics and uses formal models and numbers as the ultimate foundation for everything, while the People school takes its intellectual cues from sociology and p
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The idea that “fortune favors the bold” is not an observation about the nature of divine agency, it is an observation about the interaction of active human agency, luck, and unintended consequences. Fortune appears to favor the bold because the bold are making their own luck by acting in obvious ways in response to obvious imperatives. Failure of n
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The work of the knowledge worker is never done. You can always do an infinite amount of work for a finite piece of output. There are always more plans you could make, more background research you could do, more skills you could develop, more trends you could stay updated on, more refinements you could add to the slide deck, more Q&A you could p
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It’s weird how often it ends up working like this. You might talk for hours, but in the end, it’s one casual phrase or thought that ends up unlocking the critical idea. My very first client said as much to me—that after twenty hours of chatting, the value I delivered all down to one phrase I happened to drop casually in thinking through a problem:
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Way back in 2009, Hugh Macleod of Gaping Void called this the “Sex and Cash” theory.1 The creative person basically has two kinds of jobs: One is the sexy, creative kind. Second is the kind that pays the bills. Sometimes the assignment covers both bases, but not often.
Venkatesh Rao • The Art of Gig, Volume 1
Knowing which nut to tighten to resolve a mysterious noise is a simple example of a knowledge asymmetry. In this case, the knowledge was everything. The mechanic didn’t bring any execution skills to the party. He could have consulted on which nut to tighten for $49.90 and the customer could have done the execution themselves, saving $0.10.
Venkatesh Rao • The Art of Gig, Volume 1
Bootstrapping with beefs doesn’t have to be done with writing. You could do a book, or a talk, or a show-over-tell artifact that falsifies a commonly held belief via counterexample. Or even just a Twitter rant. If you’re not a creator type, you could develop a sales pitch for use in 1:1 conversational selling that’s based on a beefy take. There are
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Create choices, not recommendations.
Venkatesh Rao • The Art of Gig, Volume 1
Discovering and developing a genuine beef into an artful calling card that lands you gigs is hard work. That’s why it’s a costly signal. You can’t fake it with simple bullshitting. You have to put in the work of: spotting a widespread pattern of disillusionment in the margins identifying the prevailing orthodoxy driving the disillusionment analyzin
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They are what you might call “20% beef” where the starting point is rejecting some core sacred-cow axiom of a prevailing orthodoxy and then building something new and interesting on that foundation of principled dissent based on additional ideas and novel elements.