
The Argonauts

One happy thing that can happen, according to Sedgwick, is that pleasure becomes accretive as well as autotelic: the more it’s felt and displayed, the more proliferative, the more possible, the more habitual, it becomes.
Maggie Nelson • The Argonauts
I find it irresistibly interesting when people are cathected onto their bad style rather than simply oblivious to it (a description that may apply to us all; I sense the risk increases with age).
Maggie Nelson • The Argonauts
nuclear-family arrangements and when or how do they radically recontextualize them in a way that constitutes a rethinking of kinship? How can you tell; or, rather, who’s to tell?
Maggie Nelson • The Argonauts
They seemed to make a fetish of the unsaid, rather than simply letting it be contained in the sayable.
Maggie Nelson • The Argonauts
Winnicott notably describes “the primitive agonies” not as lacks or voids, but as substantives: “fruits.”
Maggie Nelson • The Argonauts
This comes as no real surprise—my mother and her entire family line are obsessed with skinniness as an indicator of physical, moral, and economic fitness.
Maggie Nelson • The Argonauts
My writing is riddled with such tics of uncertainty. I have no excuse or solution, save to allow myself the tremblings, then go back in later and slash them out. In this way I edit myself into a boldness that is neither native nor foreign to me.
Maggie Nelson • The Argonauts
gained an outsized faith in articulation itself as its own form of protection.
Maggie Nelson • The Argonauts
“pluralize and specify.”