Saved by Keely Adler
"Taste Hierarchies Like These Stink"
Kyle Chayka • “Emily in Paris” and the Rise of Ambient TV
Keely Adler added
Because the aesthetic strengths that make sophisticated TV programs superior to their peers do not translate over time. Looking backward, no one would care how good the acting was or how nuanced the plots were. Nobody would really care about the music or the lighting or the mood. These are artful, subjective qualities that matter in the present.
Chuck Klosterman • But What If We're Wrong?: Thinking About the Present As If It Were the Past
James Stevens added
But I know this matters. I know there is something critical here we’re underestimating, and it has to do with television’s ability to make the present tense exist forever, in a way no other medium ever has. It’s not disposable, even if we want it to be.
Chuck Klosterman • But What If We're Wrong?: Thinking About the Present As If It Were the Past
Kyle Chayka • “Emily in Paris” and the Rise of Ambient TV
Keely Adler added
Severnace is grappling with many of the same questions swirling around contemporary work and labor as those other shows, but it’s pursuing them in a way that’s at once thrilling and haunting.
Anne Helen Petersen • The Feast of Severance
Keely Adler added