There is an overload of music. 60,000 songs are uploaded to Spotify every day. Over 20% of those don’t get streamed even once. The ubiquitous access to almost every piece of recorded music in history has led to a paradox of choice, promoting passive and playlist-driven music consumption and creating winner-take-all effects for the biggest artists.

In just under one generation, we moved from appreciating albums as cohesive works to consuming individual tracks, and then to music becoming reduced to muzak: background noise for gaming, viral videos, or endless scrolling. Disappearing is music as an art in its own right, which commands sustained attention and deep engagement. A song’s success is... See more

To me, it’s not a problem of access to music. The problem is more like the way in which convenience culture has shaped a specific idea of what music is and what its purpose is.

Anscombe’s Quartet : Four sets of numbers that look identical on paper (mean average, variance, correlation, etc.) but look completely different when graphed. Describes a situation where exact calculations don’t offer a good representation of how the world works.