SUMMER MOVIES; On Filming a Gonzo Vision: A Gonzo Dialogue (Published 1998)
nytimes.com
SUMMER MOVIES; On Filming a Gonzo Vision: A Gonzo Dialogue (Published 1998)
Lost Highway Article - Premiere Sept. 96
lynchnet.comWhat’s funny about this is that at the time some theorists tried to rationalize what was going on. Some even claimed that we were in a new age, one of “limited animation,” where too much emphasis on making drawings move only hindered story development. They started saying that use of the tome-e, still images employed for effect, was a “new form of
... See moreHayao Miyazaki • Starting Point: 1979-1996
Martin Scorsese: “I Have To Find Out Who The Hell I Am.”
Photography Bruce Gilden/Magnum Photosgq.com
David Lynch on the limitations of language:
“Cinema is a language. It can say things—big, abstract things. And I love that about it. I’m not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you’ve got time and sequen... See more
... See moreOne of the things I always find extremely difficult, when a picture's finished, is when a writer or a film reviewer asks, "Now, what is it that you were trying to say in that picture?" And without being thought too presumptuous for using this analogy, I like to remember what T.S. Eliot said to someone who had asked him—I believe it was The Waste La
When you’re working, there’s so much self-loathing. Everyone feels like their stuff is awful. When I was at CalArts I was studying painting—I’m a terrible painter—but I remember there’s a stage of a painting that just looks like a mess and then all of a sudden it becomes a painting. Movies are like that too. Magically it starts to take shape. Now I
... See more