
Story: Style, Structure, Substance, and the Principles of Screenwriting

Comedy tolerates more coincidence than drama,
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
We rework the treatment until every moment lives vividly, in text and subtext. That
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
To reinvent: No matter in what order the novel’s events were told, reorder them in time from first to last, as if they were biographies.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Name this subtextural action with an active gerund phrase, such as “
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Story isn’t a flight from reality but a vehicle that carries us on our search for reality, our best effort to make sense out of the anarchy of existence.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Comedy likes bright light and color. Comics need full shots because they act with their whole bodies.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
“Spectacle and Truth.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
A SEQUENCE is a series of scenes—generally two to five—that culminates with greater impact than any previous scene.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Sympathetic means likable.