
Story: Style, Structure, Substance, and the Principles of Screenwriting

The challenge is to keep convention but avoid clich
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
As a rule of thumb do not use coincidence beyond the midpoint of the telling. Rather, put the story more and more into the hands of the characters.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Its primary purpose is to further the immediate conflict. Its secondary purpose is to convey information.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The second circle inscribes personal relationships, unions of intimacy deeper than the social role.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
the wise writer redesigns the story to preserve what’s vital.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Dimension means contradiction:
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
That done, reduce each event to a one- or two-sentence statement of what happens and no more.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
In this relationship we feel empathy and identify with the protagonist, whereas in pure Mystery our involvement is limited to sympathy.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Social attitudes change. The cultural antenna of the writer must be alert to these movements or risk writing an antique.