
Story: Style, Structure, Substance, and the Principles of Screenwriting

Name this subtextural action with an active gerund phrase, such as “
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
fictional realities
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
oxymoron?
All stories are “character-driven.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
We now convert treatment description to screen description and add dialogue.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The camera is the dread X-ray machine of all things false.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The Controlling Idea has two components: Value plus Cause.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
way that when the audience first sees them, they have one meaning, but with a rush of insight, they take on a second, more important meaning.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
binary qualities of experience that can reverse their charge at any moment are Story Values.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Third, it should have purpose.