
Story: Style, Structure, Substance, and the Principles of Screenwriting

The Spine is the deep desire in and effort by the protagonist to restore the balance of life.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Values, the positive/negative charges of life, are at the soul of our art.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
to validate themselves one to the other as authentic Californians—“centered” and “in touch with their inner beings.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
We can turn scenes only one of two ways: on action or on revelation. There are no other means.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The screenwriting is the art of making the mental physical.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
the quantity of conflict in life is constant. Something is always lacking.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
In most cases, the Inciting Incident is a single event that either happens directly to the protagonist or is caused by the protagonist.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
A story cannot be told about a protagonist who doesn’t want anything, who cannot make decisions, whose actions effect no change at any level.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
We have only one responsibility: to tell the truth.