
Story Maps: TV Drama: The Structure of the One-Hour Television Pilot

Great series come up with new scenarios and settings for each season that brilliantly continue the Compelling Crisis but with higher stakes, a new setting and a unique threat.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
External and Internal Goal:
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
strong sense of place, time and tone, and an expression of the central theme of the series.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Show us who we will be following for 100 hours, in an active, unique way that says something about this person and their current, or soon-to-be, place in the world.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
a shocking yet inevitable turn
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Establish a Framing Device: Establish how this story will be told, the glue that holds it together.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
No matter how clever or outlandish your scenario, it will not be compelling to an audience without characters we can invest in and root for.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
Keep in mind that a “premise pilot” may not utilize the Week-to-Week engine of subsequent episodes.
Daniel Calvisi • Story Maps: TV Drama: The Structure of the One-Hour Television Pilot
You can only reinvent the form once you know the form. Once you know the past, you can create the future: