Song of the Loon (Little Sister's Classics)
Fritz Peters’ Finistère, as well as many of the fine books from the 1950s and even the early 1960s – James Barr’s Quatrefoil (1950), Russell Thacher’s The Tender Age (1954), James Yaffe’s Nothing But the Night (1957) – might fall into this category. This is all rather odd, since if there is one thing we can see in many of Amory’s writings about lit
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Thomas Hal Phillips’ The Bitterweed Path (1949) looked at a complicated erotic relationship between a father and son and a third man; Paul Goodman’s Parents Day (1951) examined the relationship of a married man with a student at a private school; Gerald Tesch’s Never the Same Again (1956) was a sympathetic account of an affair between a thirteen-ye
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The Evergreen Review first published Rechy’s and Selby’s writing; and Olympia Press’ Travelers Companion series published Burroughs’ Naked Lunch and The Ticket that Exploded, William Talsman’s The Gaudy Image, and Parker Tyler and Charles Henri Ford’s notorious underground classic The Young and the Evil, as well as Jean Cocteau’s The White Paper, O
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Aphra Behn’s 1678 novel Oroonoko.
Richard Amory • Song of the Loon (Little Sister's Classics)
needed, and applicable, today. 1 From The Queer Sixties. Patricia Juliana Smith, ed. New York: Routledge, 1999. 2 Bronski, Michael. Pulp Friction: Uncovering the Golden Age of Gay Male Pulps. New York: St. Martin’s Griffin, 2003.