I know a director, Marty Brest—even when he was shooting in L.A., he’d move out of his house. He’d just say to his wife, “I’m not going to be any use to you anyway while I’m making this movie.”

just mean they all had a different sense of humor that they didn’t share with the public, like Milton Berle taking his dick out and putting it in a hot dog bun. But then when these young comedians like Robert Klein started showing up, they were all like, Oh, this is out of line!

I also make a point of not watching too much of his stand-up, because he’s so prolific and covers so much ground. Watching him makes me feel like there’s nothing left to talk about, and that everything has already been done, as well as it can be done, by Louis. He has raised the bar for all of us.

Judd: Wow. I had one where—well, I didn’t perform but it felt like I had performed. I went to the AFI tribute to Mel Brooks, and I was supposed to get up and speak and I got really nervous.

Judd: Hill Street Blues is probably the most important show in all of TV history.

Judd: You always hear that when Caddyshack was being made everybody was on drugs and partying during the shooting. Harold: Everyone in the world of that age was on drugs and partying. It was the eighties in Florida. There were hotels literally built of pressed cocaine. They had so much cocaine, they just used it as construction material.

Jeff: All right, so their work: I guess Peter Sellers, The Party. I laughed harder with him than anyone. And then on a personal level: Amy Sedaris.

Albert: But it’s true. Here’s what we know. We know meditation is healthy. Everybody says it slows your heart rate and everything, and the basis of religion seems to be that when you pray…I don’t know what people who are religious think when they pray, but it’s very close to what meditation is. It’s sort of ritualistic, it’s habit, it’s like

Jerry: Yeah, yeah. But you make one little mistake, or one stupid mistake and in five minutes it’s very hard to get an audience back. People do it, but it’s tough.