
Sea of Tranquility: A novel

this place isn’t death, this place is indifference. This place is utterly neutral on the question of whether he lives or dies; it doesn’t care about his last name or where he went to school; it hasn’t even noticed him.
Emily St. John Mandel • Sea of Tranquility: A novel
Two was soothing in its symmetry and its order. Sometimes order can be relentless.
Emily St. John Mandel • Sea of Tranquility: A novel
She’d always found something steadying in looking at her own clasped hands, but she didn’t know if it was the hands or the shirt, the impeccable white cuffs. Clothes are armor.
Emily St. John Mandel • Sea of Tranquility: A novel
“My personal belief is that we turn to postapocalyptic fiction not because we’re drawn to disaster, per se, but because we’re drawn to what we imagine might come next. We long secretly for a world with less technology in it.”
Emily St. John Mandel • Sea of Tranquility: A novel
“I guess just a sense of recognition, if that makes sense. I remember the first time I saw him, I looked at him and I knew he’d be important in my life.
Emily St. John Mandel • Sea of Tranquility: A novel
If there’s pleasure in action, there’s peace in stillness.
Emily St. John Mandel • Sea of Tranquility: A novel
Pandemics don’t approach like wars, with the distant thud of artillery growing louder every day and flashes of bombs on the horizon. They arrive in retrospect, essentially. It’s disorienting. The pandemic is far away and then it’s all around you, with seemingly no intermediate step.
Emily St. John Mandel • Sea of Tranquility: A novel
“Which operating system do you use on your device?” “Zephyr,” I said. “Same. You remember that weird Zephyr bug a couple years ago, this only lasted a day or two, but sometimes you’d open a text file on your device and you’d hear whatever music you’d been listening to last?” “Sure. That was annoying.” I only vaguely remembered it. “It was file corr
... See moreEmily St. John Mandel • Sea of Tranquility: A novel
“My personal belief is that we turn to postapocalyptic fiction not because we’re drawn to disaster, per se, but because we’re drawn to what we imagine might come next. We long secretly for a world with less technology in it.”