Screen Memories — Real Life

We have become archivists of the self, I thought, curators of a life half-lived. Each countless photograph of a wonder, of dinner, of a view, of our children, of the utter banality of our everyday lives, was not a memento, a way of remembering the things we did, but instead evidence of the poverty of our engagement with the present moment. We frame... See more

At Pager, we see photographs as mechanisms for communicating experiences, and see screenshots as the photographs of your digital life. We are building a more powerful screenshot that better communicates your experience of the internet and the unique personality that drives it.

In the end, to move through the world is to experience encounters that constantly pass us by, and to brush up against moments that we are not able to save other than as an unreliable memory. The increasing popularity of apps like BeReal that capture those moments—rather than try to contain and display them—seems to reflect an embrace of life’s flee... See more

We frame our lives through lenses, filters, and screens, trading the chaotic beauty of reality for a sanitised, editable version. Our photographs are not memories; they are advertisements, billboards for a life we are too preoccupied to live.

This coercion to extend every adventure as long as possible — the nostalgia continuum — is the connective tissue fastening past experiences to the logic of the “feed,” which cuts the flow of experience down into atomized parts that are readable to tech platforms, enshrines chapters in life to make them rankable, interactable, and presentable to you... See more