
Save the Cat

The worst thing that can happen in screenwriting is to not finish. Half-written screenplays never sell,
Blake Snyder • Save the Cat
a stand-alone action scene or sequence.
Blake Snyder • Save the Cat
the “hero” is usually the one who carries the theme of the movie.
Blake Snyder • Save the Cat
If it doesn’t pass the Say What It Is Test, you don’t have your title.
Blake Snyder • Save the Cat
point of view of a newcomer.
Blake Snyder • Save the Cat
Ultimately, all superhero tales are about being “different,”
Blake Snyder • Save the Cat
writage
Blake Snyder • Save the Cat
I’ll find that events will draw the hero into Act Two. This is incorrect. The hero cannot be lured, tricked, or drift into Act Two. The hero must make the decision himself. That’s what makes him a hero anyway — being proactive.
Blake Snyder • Save the Cat
the motivation for the hero to succeed must be a basic one.