He was an artist in the same way Steve Jobs or Jim Henson were artists. They didn’t physically make each of the products for which they were ultimately given credit, but they are no less responsible for those creations. These skills of leading, managing, and collaborating with peers can be just as important in a creative career as the inspiration

When we sincerely offer our gifts to the world, not through hype but by practicing in public, the world often repays us by first taking notice and then responding with loyalty. We get better, earning an audience that will allow us to continue creating for years to come.

A network is more than a team of cheerleaders; it’s a diverse group of individuals who offer a set of skills and resources that help each member succeed. After all, not every art student becomes an artist. Some become curators, community organizers, and patrons; others become collectors, dealers, and auction house owners. And nearly all become

before you become an artist, you must become a thief; but even before you do that, you must first become a student.

Without a patron, you’re rolling the dice, hoping for the best— and the world is unkind to such gambles.

These creations came about thanks to what Michael Farrell calls “collaborative circles.”

This is the Rule of the Patron in action. You can’t just ask for a handout; you must demonstrate both competency in your craft and a willingness to learn.

her work, Stephanie’s audience responded with the same openness and vulnerability she shared. First they gave their attention; then they gave their money.

“On one hand,” she said of her blog, “it’s a self-serving project that holds me accountable to doing art. And at the same time, it’s been amazing to see how people have connected with my cartoons. It’s also a place for me to share about the moments I’m experiencing. It’s the messages I need to hear.”