how is “literary whiteness” and “literary blackness” made, and what is the consequence of that construction?

The “one precise, unique note, tracing a sound

Writing and reading are not all that distinct for a writer.

rights of man,

The fabrication of

Romance, an exploration of anxiety imported from the shadows of European culture, made possible the sometimes safe and other times risky embrace of quite specific, understandably human, fears:

devote its talents to reproducing in its own literature the typology of diabolism it wanted to leave behind?

each note would be important and would contain within itself the essence of the whole.

record them so as to prevent their repetition