
Piranesi

And You. Who are You? Who is it that I am writing for? Are You a traveller who has cheated Tides and crossed Broken Floors and Derelict Stairs to reach these Halls? Or are You perhaps someone who inhabits my own Halls long after I am dead?
Susanna Clarke • Piranesi
I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled
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Raphael nodded slowly. ‘That’s OK,’ she said. ‘There’s plenty of time.’ She put out her hand and rather awkwardly – but also gently – put her hand on my shoulder. Instantly, and to my huge embarrassment, I started crying. Great creaking sobs rose up in my chest and tears sprouted from my eyes. I did not think that it was me who was crying; it was M
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The Ritual is a piece of ceremonial magic by which the Other intends to free the Great and Secret Knowledge from whatever holds it captive in the World and to transfer it to ourselves. So far, we have performed it four times, each time in a slightly different version.
Susanna Clarke • Piranesi
Last night I dreamt that I was standing in the fifth northern hall facing the statue of the gorilla. The gorilla dismounted from his plinth and came towards me with his slow knuckle-walk. He was grey-white in the moonlight; and I flung my arms around his massive neck and told him how happy I was to be home. When I awoke I thought: I am not home. I
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Monkey. Crying
Is it disrespectful to the House to love some Statues more than others? I sometimes ask Myself this question. It is my belief that the House itself loves and blesses equally everything that it has created. Should I try to do the same? Yet, at the same time, I can see that it is in the nature of men to prefer one thing to another, to find one thing
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They were all enamoured with the idea of progress and believed that whatever was new must be superior to what was old. As if merit was a function of chronology!
Susanna Clarke • Piranesi
I sat on the Pavement,
Susanna Clarke • Piranesi
Is it disrespectful to the House to love some Statues more than others? I sometimes ask Myself this question. It is my belief that the House itself loves and blesses equally everything that it has created. Should I try to do the same? Yet, at the same time, I can see that it is in the nature of men to prefer one thing to another, to find one thing
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