
Pan's Labyrinth (BFI Film Classics)

story’. The movie is about two or three things; disobedience, choice and memory.
Mar Diestro-Dópido • Pan's Labyrinth (BFI Film Classics)
The thing is, in my own experience, every week, every day, I find that when you are obeying, I generally think you are doing the wrong thing. If you find there are two options, one difficult and one easy, 99 per cent of the time the hard choice is the good choice in my opinion.
Mar Diestro-Dópido • Pan's Labyrinth (BFI Film Classics)
a goat with horns, but also the female fallopian tubes and ovaries.
Mar Diestro-Dópido • Pan's Labyrinth (BFI Film Classics)
Born in Guadalajara, Jalisco, Mexico, on 9 October 1964, GdT was raised mainly by his grandmother, a devout Catholic who literally exorcised him with holy water twice when he was growing up.
Mar Diestro-Dópido • Pan's Labyrinth (BFI Film Classics)
GdT has stated many times that Pan, far from being the story of a girl dying, is instead the story of a girl who gives birth to herself as she wants to be.
Mar Diestro-Dópido • Pan's Labyrinth (BFI Film Classics)
In this way, she is reborn in the Underworld Realm the way she wishes herself to be, in an ending that has been read as Ofelia’s self-sacrifice and ‘resurrection’ as a Jesus Christ figure.
Mar Diestro-Dópido • Pan's Labyrinth (BFI Film Classics)
‘the permeability of the membrane between reality and fantasy’.
Mar Diestro-Dópido • Pan's Labyrinth (BFI Film Classics)
‘Pan is a game of interpretation where the reward for repeated viewings is not the addition, but the multiplication of meanings.’30
Mar Diestro-Dópido • Pan's Labyrinth (BFI Film Classics)
‘Fascism is above all a form of perversion of innocence, and thus of childhood. For me, Fascism represents in some ways the death of the soul.’87