Nostalgia, as Mark Fisher predicted, has never been more potent. We can’t stop longing for the past – and increasingly, even the very recent past, via the “nowstalgia” of rapid-cycling trends – at the expense of creating something genuinely novel.

Drew Austin perfectly describes how and why nothing ends:

“Closure is a thing of the past. One of the emergent qualities of the digital culture millennials shaped is that nothing ends any more. Wars and pandemics drag on; aging bands keep touring in a perpetual state of reunion rather than breaking up; politicians circle the drain into their

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