
Old In Art School: A Memoir of Starting Over

Critics call a preoccupation with appearance that ignores social meaning formalism, which carries a negative taint these days when formalism divorces art from the power relations surrounding its creation and circulation.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
Vasari’s Lives of the Most Excellent Painters, Sculptors, and Architects is considered art history’s foundational text.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
Warhol’s lesson of divorcing social meaning from visual meaning,
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
painters use tricks like putting a spot of white in the pupil of the eye to convey liveliness and making a muddy mixture of colors for an undecipherable facial shadow.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
race, which wasn’t invented until the Enlightenment of the eighteenth century.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
A woman in her eighties is a sage. She is dignity and wisdom. She inspires the world. She has gravitas. She is elegant.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
How do you tell what art is “interesting”? It looks like art. What is art? Art is what’s in galleries. Now you know.
Nell Irvin Painter • Old In Art School: A Memoir of Starting Over
If you live long enough and you persist, you are going to get recognition; you must stay in the game.