Copy should be written in the language people use in everyday conversation,

When someone is made the head of an office in the Ogilvy & Mather chain, I send him a Matrioshka doll from Gorky. If he has the curiosity to open it, and keep opening it until he comes to the inside of the smallest doll, he finds this message: ‘If each of us hires people who are smaller than we are, we shall become a company of dwarfs. But if e

Very few advertisements are read by more than one reader in 20. I conclude that editors communicate better than admen.

Big ideas come from the unconscious. This is true in art, in science and in advertising.

POSITIONING Now consider how you want to ‘position’ your product. This curious verb is in great favor among marketing experts, but no two of them agree what it means. My own definition is ‘what the product does, and who it is for’. I could have positioned Dove as a detergent bar for men with dirty hands, but chose instead to position it as a toilet

Aldous Huxley, who was once a copywriter, said, ‘It is easier to write ten passably effective sonnets than one effective advertisement.’ You cannot bore people into buying your product. You can only interest them in buying it.

Says James Webb Young, one of the best copywriters in history, ‘Every type of advertiser has the same problem: to be believed. The mail-order man knows nothing so potent for this purpose as the testimonial, yet the general advertiser seldom uses it.’

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WHAT’S THE BIG IDEA? You can do homework from now until doomsday, but you will never win fame and fortune unless you also invent big ideas. It takes a big idea to attract the attention of consumers and get them to buy your product. Unless your advertising contains a big idea, it will pass like a ship in the night.