
Oblivion: Stories

The men’s expressions were somehow at once stuporous and anxious, enervated and keyed up—not so much fighting the urge to fidget as appearing to have long ago surrendered whatever hope or expectation causes one to fidget.
David Foster Wallace • Oblivion: Stories
and that somewhere along the line his professional marketing skills had metastasized throughout his whole character so that he was now the sort of man who, if he were to screw up his courage and ask a female colleague out for drinks and over drinks open his heart up to her and reveal that he respected her enormously, that his feelings for her invol
... See moreDavid Foster Wallace • Oblivion: Stories
Atwater, trained originally as a background man for news dailies, constructed his own WITW pieces by pouring into his notebooks and word processor an enormous waterfall of prose which was then filtered more and more closely down to 400 words of commercial sediment.
David Foster Wallace • Oblivion: Stories
have evolved the theory that the driver peruses his newspaper and reluctantly refolds it and replaces it in the hutch on green to signal the paralyzed dislike he feels about his paid job and a court-appointed psychologist might diagnose the newspaper as a cry for help.
David Foster Wallace • Oblivion: Stories
Her father, who was the sort of person who had favorite little apothegms that could sometimes get under one’s skin with constant repetition, liked to say, ‘Education is expensive,’
David Foster Wallace • Oblivion: Stories
Bedecked in costume jewelry, mincing and fluttering, affecting a falsetto and lorgnette, holding her head in such a way as to produce a double chin, tottering about with a champagne cocktail like one of those anserine dowagers in Marx Brothers films.
David Foster Wallace • Oblivion: Stories
would cause a slight alliance of posture as they both leaned slightly away from the smoke.
David Foster Wallace • Oblivion: Stories
there were several moments of dead silence as everyone’s individual neocortices worked to process the visual information and to scan their memories for any thing or combination of live or animated things the figure might resemble or suggest.
David Foster Wallace • Oblivion: Stories
It was not a soporific conceit. It was also, obviously, private.