if you’re not (sad to say) a rare genius, and you wish to, gradually, over time, raise the level of the (more or less limited) talent you do have, and make it into something powerful, I believe my theory might be of some value. You toughen up your will as much as you can. And at the same time you equip and maintain the headquarters of that will,

Suppose, for example, that Beethoven had composed only one symphony in his life—the Ninth. How then would we evaluate him as a composer? Could we deduce the Ninth’s intrinsic significance, or its degree of originality, in isolation? I think it would be very difficult. Looking at his symphonies alone, I think it is only because we are able to see

even on days when I think I’m not feeling so great and don’t feel like running, I tell myself, “No matter what, this is something I have to do in my life,” and I go out and run without really ascribing a logical reason for it. That sentence has become a kind of mantra for me: No matter what, this is something I have to do in my life.

Originality is hard to define in words, but it is possible to describe and reproduce the emotional state it evokes. I try to attain that emotional state each time I sit down to write my novels. That’s because it feels so wonderfully invigorating. It’s as if a new and different day is being born from the day that is today. If possible, I would like

over a long period of time I think I’ve constructed a system whereby readers and myself are connected by a stout pipeline that allows us to communicate. This is a system in which the media and the literary industry aren’t needed much as an intermediary. What’s needed most there is a natural, spontaneous sense of trust between author and readers.

I think (or hope) that free and natural sensibility lies at the heart of my novels. That is what has spurred me to write. My engine, as it were. It is my belief that a rich, spontaneous joy lies at the root of all creative expression. What is originality, after all, but the shape that results from the natural impulse to communicate to others that

When I think about it, I realize that the novels I enjoy most are the ones with lots of fascinating supporting characters. The one that leaps to mind is Dostoevsky’s Demons. If you’ve read it, you know what I mean; there are plenty of oddball minor characters throughout the novel. It’s a long novel but holds my interest to the end.

I hope to be “original” in my expression, just as I imagine all artists do. As I have already explained, however, it’s not something I myself can determine. However loudly I proclaim it from the rooftops, however often I am praised for it by the critics and the media, our voices are fated to vanish in the wind. All I can do is entrust the final

the everyday combination of physical exercise and the intellectual process provides an ideal influence on the type of creative work the writer is engaged in.