Negrophilia: A double-edged infatuation
White people love black art until it forces them to see or engage black pain beyond caricatures and stereotypes. To avoid confronting black pain, white audiences turn to white artists who appropriate black art without substance.
thecrimson.com • DAMN. And the Consumption of Black Art
Speaking on this subject, Amiri Baraka offers an invaluable quote: “All cultures learn from each other. The problem is that if the Beatles tell me that they learned everything they know from Blind Willie, I want to know why Blind Willie is still running an elevator in Jackson, Mississippi.”
Cathy Park Hong • Minor Feelings: An Asian American Reckoning
It’s no secret: Black culture drives pop culture. It is “the original avant-garde,” as Felipe Luciano, a former TV producer, has said. But I sometimes wonder if appropriation is a prerequisite of Black culture going mainstream.
Jason Parham • The Age of Everything Culture Is Here
how Blackness is selectively celebrated (and contained) within the white imagination.
Ruha Benjamin • Imagination: A Manifesto (A Norton Short)
The fetishization of problematic Black artists in America by white listeners is a well-documented tradition that goes back at least as far as Alan Lomax interviewing and recording Lead Belly while he was imprisoned for attempted murder at Louisiana State Penitentiary in the 1930s.