Nadia Eghbal

When I take a screenshot, it feels like a tiny rejection of the logic of the contemporary corporate internet. Instead of offering up fragments of my photographic life to the computer gods, the screenshot feels like I’m stealing something back from the computational world for my own uses, removing it from the networked flow (sure, some of these snip... See more

Compared with other kinds of digital output, a screenshot feels “homemade” — a piece of digital DIY confirming that screen spaces contain as much mundaneness as the “analog” or “offline” world. In a time when so much communication and production is mediated by a set of increasingly powerful corporate platforms and absorbed into the internet’s big c... See more

At Pager, we see photographs as mechanisms for communicating experiences, and see screenshots as the photographs of your digital life. We are building a more powerful screenshot that better communicates your experience of the internet and the unique personality that drives it.

With so much of our socializing, organizing, and life administration routed through screens and networks, we face the contradictory risks of things disappearing or things staying findable forever. Nothing on our computers stays the same for very long. Software updates, websites disappear, and newspapers edit their copy and hope to get away with it.... See more

This screen-centric visual experience has a lot going on: photographs and videos and vector graphics and overlapping chat windows pressed up together with spreadsheets and reminders that updates are ready to install if only I’d let them. It’s the everything-screen! And so I feel called to frame and claim and digest it all. I have limited control ov... See more

New @ScreenshotEssay today: TikTok, Instagram, and the Quadrant of Deep Understanding