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My Collectible Ass - Journal #85
The more a file is shared and seen online, the more cultural value it accrues. Consider the mass production of posters and t-shirts of Warhol imagery. With increase in notoriety, the concept of owning the canonical work becomes more thrilling, and more a marker of social status.
Jesse Walden • NFTs make the internet ownable — Mirror
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8. Intellectual property will become less defensible in the short term but it is still cultural gold. From “my kid could do that” to “right click and save,” new media from the early 20th century onward has been poorly received. As W. David Marx writes of NFTs in Dirt, “whether or not this particular NFT bubble bursts, we should take them seriously ... See more
Kyle Chayka • 10 Lessons for Crypto Media: Dirt’s Year in Review
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Through cultural associations, collections accumulate social and economic capital that is used by collectors to convey their status and taste.
Ana Andjelic • Intro to the collector economy
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Benjamin wrote that collectors have a “feeling of responsibility” to their collections. But it’s very difficult to feel such ownership for what we collect on the Internet; we can’t be stewards of the culture we appreciate in the same way as Benjamin. We don’t actually own it and can’t guarantee accessing it in the same way each time.
Kyle Chayka • Filterworld
The Furry Lisa, CryptoArt, & The New Economy Of Digital Creativity | by Scott Belsky | Feb, 2021 | Medium
Scott Belskyscottbelsky.medium.comsari and added
Digital art suffers from perfect reproducibility, and hence, a lack of scarcity. There is no “real” version — even in the artist’s studio, copies proliferate in backups, on shared drives, and in cache files. For decades, we have experimented with watermarks and anti-piracy tech to try and enforce a physical, world-of-atoms scarcity on digital goods... See more
Scott Galloway • Scarcity Cred | No Mercy / No Malice
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