Monologue to the Maestro | Esquire | OCTOBER 1935
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Monologue to the Maestro | Esquire | OCTOBER 1935
Mice: How can a writer train himself?
Y.C.: Watch what happens today. If we get into a fish see exactly what it is that everyone does. If you get a kick out of it while he is jumping remember back until you see exactly what the action was that gave you the emotion. Whether it was the rising of the line from the water and the way it tightened like a... See more
Y.C.: Watch what happens today. If we get into a fish see exactly what it is that everyone does. If you get a kick out of it while he is jumping remember back until you see exactly what the action was that gave you the emotion. Whether it was the rising of the line from the water and the way it tightened like a... See more
Monologue to the Maestro | Esquire | OCTOBER 1935
Mice: What do you mean by good writing as opposed to bad writing?
Your correspondent: Good writing is true writing. If a man is making a story up it will be true in proportion to the amount of knowledge of life that he has and how conscientious he is; so that when he makes something up it is as it would truly be. If he doesn’t know how many people ... See more
Your correspondent: Good writing is true writing. If a man is making a story up it will be true in proportion to the amount of knowledge of life that he has and how conscientious he is; so that when he makes something up it is as it would truly be. If he doesn’t know how many people ... See more