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Minor Feelings: An Asian American Reckoning
Minor feelings occur when American optimism is enforced upon you, which contradicts your own racialized reality, thereby creating a static of cognitive dissonance.
Cathy Park Hong • Minor Feelings: An Asian American Reckoning
The wretched of the earth know this candy. Hershey’s doled out after a firefight, M&Ms handed out before a raid. Americans sprayed Dum Dums lollies from a fighter helicopter and the children of Afghanistan ran after the chopper with their arms raised. Sometimes candy was used as a trick. In Vietnam, bored guards planted candy under barbed wire so
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To recite my poems to an audience is to be slapped awake by my limitations. I confront the infinite chasm between the audience’s conception of Poet and the underwhelming evidence of me as that poet. I just don’t look the part. Asians lack presence. Asians take up apologetic space. We don’t even have enough presence to be considered real minorities.
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Capitalism as retribution for racism. But isn’t that how whiteness recruits us?
Cathy Park Hong • Minor Feelings: An Asian American Reckoning
She saw what she saw, she heard what she heard, but after her reality has been belittled so many times, she begins to doubt her very own senses. Such disfiguring of senses engenders the minor feelings of paranoia, shame, irritation, and melancholy.
Cathy Park Hong • Minor Feelings: An Asian American Reckoning
To unpack the source of my adolescent unhappiness would be to write about my mother, which I have struggled with in this book: How deep can I dig into myself without talking about my mother? Does an Asian American narrative always have to return to the mother? When I met the poet Hoa Nguyen, the first question she asked me was, “Tell me about your
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I sometimes avoid reading a news story when the victim is Asian because I don’t want to pay attention to the fact that no one else is paying attention.
Cathy Park Hong • Minor Feelings: An Asian American Reckoning
So as long as it lasts, I want to write nearby Rodrigo Toscano, who pulls his Spanglish phonetic syllables apart like taffy (“tha’ vahnahnah go-een to keel joo”) or LaTasha N. Nevada Diggs, who recombines black slang, Japanese, Spanish, Chamorro, and Tagalog into a remastered Afro-Futurist song (“…bubblegum kink / a Sheik’s interloper. / A radical
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he was yet another white “authority” who gaslit my reality.