
Mechanisms: New Media and the Forensic Imagination (The MIT Press)

play of code is not alwaysinfinitely fungible and arbitrary-transformations are not always reversible, nor are all transformations always possible or achievable.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
database project, with a research agenda defined by the
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
writing and reading to and from the disk are ultimately a form of digital to analog or analog to digital signal processing-not unlike the function of a modem-and that the data contained on the disk is a second-order representation of the actual digital values the data assumes for computation.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
all media remain part of a social, political, and economic landscape whose shifting contours resist any attempts at erosion through the mere rhetorical invocation of homogenous ones and zeroes.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
There is, in short, no simple way to know how many instances of a single file are residing in how many states, in how many different locations, at any given moment in the operating system.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
deeply humanistic way of knowing, one that assigns value to time, history, and social or material circumstance-even trauma and wear-as part of our thinking about new media.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
the book has become a black box, and whatever is inscribed within its pages is destined for other than human eyes.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
process of siting an inscription in an allographic modality, such that it becomes available for
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
magnetic inscription is a temporal as well as a planographic intervention,