
Mechanisms: New Media and the Forensic Imagination (The MIT Press)

"Every contact leaves a trace."
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
I would argue that the tendency to regard one image as correct and the other as deviant is to misapprehend the nature of computers as digital systems, and indeed allographic sign systems in general
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
effective preservation must rest in large measure on the cultivation of new social practices to attend our new media. These
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
critics and scholars of new media need to begin exhibiting critical habits that are more sensitive to the mature material conditions of new media. Here
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
there is no computation without data's representation in a corresponding physical substratum,
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
All media are bound to the materialities of their particular forms, materialities that materialize in the shape of intellectual property,
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
our current theories and points of reference for reckoning with electronic textuality were inadequate
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
Part of what enables the myth (or the meme) of MyLifeBits is the slippage between media convergence and total recall.
Matthew G. Kirschenbaum • Mechanisms: New Media and the Forensic Imagination (The MIT Press)
There is, in short, no simple way to know how many instances of a single file are residing in how many states, in how many different locations, at any given moment in the operating system.