Making The Squash | Tate
tate.org.uk
Making The Squash | Tate
Art requires access to the imagination, a notoriously difficult place to visit. The imagination fuels an idea. The artist acts urgently, often impulsively, on that idea but brings conscious rigor to the evaluation of what the imagination has spewed. Ultimately, experience, intellect, insight, and drive enable them to shape the work and then to edit
... See moreAdam Moss • The Work of Art: How Something Comes from Nothing
Ellsworth Kelly’s Studio, Just as He Left It (Published 2017)
nytimes.com
A research-driven artwork generally progresses in three stages. At the beginning, it’s about having the intention to explore an idea, and then (you guessed it) researching that idea. The middle stage focuses on moving and shaping an idea as you learn and explore. This part of the process is gray, beautiful, and middling—you have to follow where the... See more
How to make research-driven art
The true value of unbaked scrawls and sketches and whatnot is as a window to an artist’s process. Process is an ugly-sounding word—pedestrian jargon for the inherently wondrous act of creation—but it describes a method by which a thing evolves, which has always had a hold on me.
Adam Moss • The Work of Art: How Something Comes from Nothing
