
LensWork #83 (The Bill Jay's Best of EndNotes issue)

At a family dinner, the cook cut off the ends of the ham before putting it in the oven. “Why did you do that?,” asked a guest. “I always have, because my mother always did it,” said the cook, “Go ask her.” The mother answered, “I cut off the ends because my mother did, so go ask her.” The grandmother answered, “I cut off the ends because I did not
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As Woody Allen remarked, “We stand today at a crossroads: one path leads to despair and utter hopelessness. The other leads to total extinction. Let us hope we have the wisdom to make the right choice.”
Bill Jay • LensWork #83 (The Bill Jay's Best of EndNotes issue)
I wrote that I was often asked by students: “If you had to select just one name from the whole history of photography as representative of all that is wonderful about the medium, who would it be?” My answer was always: “Bill Brandt.”
Bill Jay • LensWork #83 (The Bill Jay's Best of EndNotes issue)
So strange, so sad that Weegee, writing about Stieglitz, was predicting his own loneliness and decline into obscurity. But Weegee’s book does end on a bright note. Its final words are: “Be original and develop your own style, but don’t forget above anything and everything else…be human…think…feel. When you find yourself beginning to feel a bond
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the words of Groucho Marx: “I’ve had a perfectly wonderful evening, but this wasn’t it.”
Bill Jay • LensWork #83 (The Bill Jay's Best of EndNotes issue)
- Beware of these two fallacies of photographic appreciation: 1) You like a photograph because you think/have been told that it is good. 2) You think a photograph is good because you like it.
Bill Jay • LensWork #83 (The Bill Jay's Best of EndNotes issue)
The best paragraph in the whole issue was a story told by Ben Shahn, one of the most fascinating photographers to have worked for the Farm Security Administration during the Dust Bowl years of the 1930s. In search of a loan, a farmer was coldly rejected by a banker. In the face of the farmer’s pleas, the banker made him a “sporting offer,” recalled
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What I want to know — and I think this is very important because it is at the heart of almost all art education in this country — is there any empirical, verifiable evidence that art education creates “better” human beings or “improves” our culture? If not, then this accepted value of art constitutes merely a cultural belief system and the
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In the unlikely event that I would ever be invited to address the graduates, I would give the shortest speech on record: Dear Graduates, Find something you love to do. Get good at it. Hope, but don’t expect, others will appreciate it. Then, with luck, you might be able to make a living at it.