Keep Going

For Kent, the tree came to represent creativity itself. Like a tree, creative work has seasons. Part of the work is to know which season you’re in, and act accordingly. In winter, “the tree looks dead, but we know it is beginning a very deep process, out of which will come spring and summer.”

When I’m stuck in the morning and I don’t know what to write about in my diary, I’ll modify the pros-and-cons list. I’ll draw a line down the middle of the page, and in one column I’ll list what I’m thankful for, and in the other column, I’ll write down what I need help with. It’s a paper prayer.

And remember: If you want maximum artistic freedom, keep your overhead low. A free creative life is not about living within your means, it’s about living below your means.

Everyone’s supposed to be a brand now, and the worst thing in the world is to be off-brand. But to be on brand is to be 100 percent certain of who you are and what you do, and certainty, in art and in life, is not only completely overrated, it is also a roadblock to discovery.

If you want to change your life, change what you pay attention to. “We give things meaning by paying attention to them,” Jessa Crispin writes, “and so moving your attention from one thing to another can absolutely change your future.” “Attention is the most basic form of love,” wrote John Tarrant. When you pay attention to your life, it not only pr

if you really want to explore ideas, you should consider hanging out with people who aren’t so much like-minded as like-hearted. These are people who are “temperamentally disposed to openness and have habits of listening.” People who are generous, kind, caring, and thoughtful. People who, when you say something, “think about it, rather than just si

We all go through cycles of disenchantment and re-enchantment with our work. When you feel as though you’ve lost or you’re losing your gift, the quickest way to recover is to step outside the marketplace and make gifts.

Take a quick dip into any one of the thousands of years of art history and you’ll find that, no, actually, plenty of great art was made by jerks, creeps, assholes, vampires, perverts, and worse, all of whom left a trail of victims in their wake. To steal a term from Jenny Offill’s Dept. of Speculation, these people are what we call “Art Monsters.”

“to-learn” lists.