Karl Ove Knausgaard on the Genius of Ingmar Bergman
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Karl Ove Knausgaard on the Genius of Ingmar Bergman
Even if you know what it feels like to be completely open to where your curiosity wants you to go, like Grothendieck, it is a fragile state. It often takes considerable work to keep the creative state from collapsing, especially as your work becomes successful and the social expectations mount. When I listen to interviews with creative people or re
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The true value of unbaked scrawls and sketches and whatnot is as a window to an artist’s process. Process is an ugly-sounding word—pedestrian jargon for the inherently wondrous act of creation—but it describes a method by which a thing evolves, which has always had a hold on me.
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As the French film director Robert Bresson once said, “Make visible what, without you, might perhaps never have been seen.”
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All creative work is at bottom a means of self-liberation and a coping mechanism — for the loneliness, the despair, the chaos and contradiction within. It is the best means we have of transmuting that which gnaws at us into something that nourishes, and yet how little of that private ferment is visible in the finished work
Kafka’s Creative Block and the Four Psychological Hindrances That Keep the Talented from Manifesting Their Talent
Grothendieck knew what he found interesting and productively confusing because he had spent three years observing his thought and tracing where it wanted to go. He was not at the mercy of the social world he entered; rather, he “used” it to “further his aims.” (I put things in quotation marks here because what he’s doing isn’t exactly this delibera... See more