Just a moment...
Every time you make a film you should be prepared to descend into Hell and wrestle it from the claws of the Devil himself. Prepare yourself: there is never a day without a sucker punch. At the same time, be pragmatic and learn how to develop an understanding of when to abandon an idea. Follow your dreams no matter what, but reconsider if they can’t
... See morePaul Cronin • Werner Herzog – A Guide for the Perplexed: Conversations with Paul Cronin
And when you’re stuck, something deep in your brain will start thinking for you … That’s the only way to look at it. It’ll be some experience from the past that you don’t recall, some fusion of a variety of things, something that will make sense to you if you do it in a specific way, something that appears to be at the limits of your ability … And
... See moreHayao Miyazaki • Starting Point: 1979-1996
Story: Style, Structure, Substance, and the Principles of Screenwriting
Robert McKee • 1 highlight
amazon.com
Something Charlie Chaplin said: "Over the years I have discovered that ideas come through an intense desire for them; continually desiring, the mind becomes a watch-tower on the look-out for incidents that may excite the imagination - music, a sunset, may give image to an idea.
I would say, pick a subject that will stimulate you, elaborate it and in
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Scriptshadow Secrets (500 Screenwriting Secrets Hidden Inside 50 Great Movies)
Carson Reeves • 1 highlight
amazon.com
Divine Thing: A Note from Aaron Schimberg
In creative work there are two phases: exploration and execution. In the exploration phase, you don’t know what the thing is going to be, you don’t have all of the information or ideas you want to have, you don’t even know if what you’re thinking about is important, and any little breeze in the wrong direction might blow you off course. In the exec
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