The architect cannot create with his own hands alone, nor does he have perfect control over the materials. In the end, he has to leave it to the craftsman or to nature. This is similar to the potter. Potters are constantly exploring the possibilities of clay, glazes, and firing techniques, but ultimately, they must entrust everything to the kiln

When is the moment an idea is born? I don't really know. Sometimes it's when I first meet the client. Sometimes it's months after the commission. Either way, it's a moment in time. The first line drawn in the sketchbook quickly becomes a wall and a roof, as if you had known it for a long time. It's a time of ecstasy. And then the urge to ‘see this

There are many professions today that look to profit from just a design, but craftsmen are at the opposite end of the spectrum. Lies and deceit have no place with them. For them, performance and words have no meaning. Only the practical reality is important.

Children who grow up in artificial spaces tend to be less interested, curious and imaginative, and their thinking is more simplistic.

We architects should face this situation head-on and propose a new type of urban housing. Right now we need houses made of this Appropriately Inconvenient Nature .

The hands that they work with are an outlet for their mind and senses.

In our social lives, we navigate by filtering our senses and assigning meaning to various things, creating a shared understanding. This is the essence of civilization, cities, and architecture. However, when individuals become accustomed to a life filled with constant meaning, they develop an expectation that everything must hold significance.

When building architecture, it is essential to consider our intentions, what we are prepared for, and the responsibilities that come with it.

Gradually I found myself not wanting to emulate the details faithfully. By the time I had finished drawing the plans for one of the houses, I was somewhat aware of the difficulty of replicating.