In Another Country: Isabelle Huppert on finding the language of emotion in Hong Sang-soo’s A Traveler’s Needs • Journal • A Letterboxd Magazine

Doing a movie, by definition, is always jumping into the unknown, even if you have a full script and know all your dialogue.

cinema is also a language in a way, and I think the main language we experience is the one of cinema. I believe I could make a movie with someone who doesn’t speak a single language that I would understand but, because cinema is a language of its own, we would connect in the best possible way.