human. We kind of think the voice is the narrator. It certainly helps if the stories are riveting, but a great voice renders the dullest event remarkable.
Mary Karr • The Art of Memoir
Saved by Alex Dobrenko
human. We kind of think the voice is the narrator. It certainly helps if the stories are riveting, but a great voice renders the dullest event remarkable.
words are actions. They punch, tear, hurt, harm, soothe, amuse, educate, illuminate. They express ideas and feelings, and they make people feel better, and they move them to tears, and they enrage them, and they define them. We are all made of nouns, live by verbs, enlarge and entertain ourselves with adjectives and adverbs.
Anna Quindlen • Write for Your Life
the narrative voice The voice that tells the story is the first thing the reader encounters. It carries us from the first page to the last. We, the readers, must believe in this narrative voice or, at least, we must feel strongly for that voice and have a definite and consistent opinion about it.
Walter Mosley • This Year You Write Your Novel
Stephen King sums it up brilliantly himself in an Atlantic article that has important things to say about connecting with a reader through words: I think readers come for the voice. A novel’s voice is something like a singer’s – think of singers like Mick Jagger and Bob Dylan, who have no musical training but are instantly recognisable. An appealin
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