human. We kind of think the voice is the narrator. It certainly helps if the stories are riveting, but a great voice renders the dullest event remarkable.
Mary Karr • The Art of Memoir
Saved by Alex Dobrenko
human. We kind of think the voice is the narrator. It certainly helps if the stories are riveting, but a great voice renders the dullest event remarkable.
human. We kind of think the voice is the narrator. It certainly helps if the stories are riveting, but a great voice renders the dullest event remarkable.
Saved by Alex Dobrenko
the narrative voice The voice that tells the story is the first thing the reader encounters. It carries us from the first page to the last. We, the readers, must believe in this narrative voice or, at least, we must feel strongly for that voice and have a definite and consistent opinion about it.
In a first-person narrative, you are stuck with this one voice. Therefore this character, or at least her point of view (POV), must be engaging.
Having a likable narrator is like having a great friend whose company you love, whose mind you love to pick, whose running commentary totally holds your attention, who makes you laugh out loud, whose lines you always want to steal.
Narrative voice is a subtle thing. You have to decide what voice fits your task.
A story is a frank, intimate conversation between equals. We keep reading because we continue to feel respected by the writer. We feel her, over there on the production end of the process, imagining that we are as intelligent and worldly and curious as she is. Because she’s paying attention to where we are (to where she’s put us), she knows when we
... See moreA voice is just a combination of identifiable attributes. These attributes can include, but are not limited to: word choice, cadence and rhythm, structure and format, even the decision to use (or not use) data to back up an opinion.
A great storyteller creates a movie in the minds of the audience.