
How to Listen to Jazz

Dave Brubeck popularized 5/4 meter with his immensely successful recording of Paul Desmond’s composition “Take Five,”
Ted Gioia • How to Listen to Jazz
Johnny Hodges play “Come Sunday” on the recording of Duke Ellington’s debut Carnegie Hall concert on January 23, 1943.
Ted Gioia • How to Listen to Jazz
Ah, but listen to how Oliver plays the notes. By shrewdly manipulating his trumpet mute, Oliver could take a single note, an E-flat in this instance, and work wonders with it. He could turn it into a sensual moan, an aggressive growl, a bemused wah-wah, or a baby crying for Mama. The narrowness in the note selection hardly matters—in fact, it makes
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around four hundred thousand commercial jazz recordings released during the last century.
Ted Gioia • How to Listen to Jazz
The jazz performers of the twenty-first century, in contrast, have benefited from academic programs and professional training unavailable to their predecessors.
Ted Gioia • How to Listen to Jazz
The Renaissance emerged around the same time that the Black Death spread through Florence.
Ted Gioia • How to Listen to Jazz
I don’t think it’s mere coincidence that jazz first emerged in New Orleans.
Ted Gioia • How to Listen to Jazz
cool jazz.’ The contrast with bebop could hardly be more striking.
Ted Gioia • How to Listen to Jazz
So I have made my attempt to simplify the extraordinary diversity and multiplicity of jazz today into these four themes: globalization, hybridization, professionalization, and rejuvenation.