How to Have Interesting Weight

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“the making of them doesn’t appear to be anything special. There are no secrets or mysteries as to what the objects are; the puzzle is in confronting such simple but unusual objects and in trying to understand what about them seems so strange. This is the contrast in Hesse’s work that most interests me: the contrast between simultaneous obviousness... See more

She is, it turns out, thinking about the body. How we inhabit the architecture of the bodies we are given. How our bodies can be powerful and how they can be encumbrances. How they can feel inextricably linked to our identities yet how they can also misrepresent and betray us.

Christine Montross • Falling Into the Fire: A Psychiatrist's Encounters with the Mind in Crisis

But more than the new body size, it was the lightness of being that enthralled me; although I didn’t quite understand the connection between trusting myself around food and trusting less tangible hungers (for rest, contact, meaning), the relationship with food became the lens through which I began to see almost everything.

Geneen Roth • Women Food and God: An Unexpected Path to Almost Everything

Your body’s shape and movement patterns continually change in response to the content of your life.

Ruthie Fraser • Stack Your Bones: 100 Simple Lessons for Realigning Your Body and Moving With Ease

Artworks don’t manage knowledge—they channel it. It takes time and attention to understand an artwork’s meaning. Each piece demands a process of reconciliation, and a merging of two contexts: the artwork’s own history and the viewer’s private knowledge network. When it’s placed in a new context, its meaning evolves and expands elastically. It store... See more

Willa Köerner • A Personal Philosophy of Shared Knowledge

“It doesn’t really matter if the viewer understands the concepts of the artist by seeing the art. Once out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.”

Paragraphs on Conceptual Art

https://www.artforum.com/print/196706/paragraphs-on-conceptual-... See more

Embodiment is at the very core of the work I do

Anne Berube • The Burnout Antidote

“there is also something flat-out funny about Wilke’s sculptural work, an attitude shared with a number of works made by Hesse, Bourgeois, and others, although it is an aspect of their work that tends to get overlooked—too awkward, a bit embarrassing to an artworld for whom “funny” is often a dirty word”

Wilke - Acquavella Galleries - Hesse / Wilke

h... See more