Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
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Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
But it is not known whether the principle obscurely described in the specification was applicable in any way to the invisible agency employed in Psycho.The punch line was that the article was signed "John Algernon Clarke." So the author claimed he was mystified by his own creation and couldn't properly determine whether his own patent was a part of
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Their lack of showmanship turned out to be a masterful touch of showmanship. Were they simply modest? Or unwilling subjects controlled by a higher power?
That's not how he's remembered, of course. But to his public, during the first decades of the twentieth century, Houdini wasn't thought of as a magician at all; he was the escape artist,
Houdini was himself a master of publicity and self-aggrandizement, yet he also championed the little guy and had a fondness for old retired showmen.
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Harry Kellar was also badly fooled when he saw it in the summer of 1901. He was America's greatest magician, a rough-and-tumble showman. He'd been born Heinrich Keller in 1848 in Erie, Pennsylvania. As a boy, Harry worked as a drugstore clerk, a newsboy, and custodian for the Erie Railroad before he ended up in Buffalo, New York and responded to a
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