Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear
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Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear

oday George Melies is renowned as the originator of special effects for films, the creator of a new kind of magic for a new medium, but we've forgotten that he did it through his own vocabulary of a Victorian magic show.
Some highlights have been hidden or truncated due to export limits.
The public never heard the name Dircksian Phantasmagoria. Dircks happily accepted five hundred pounds for the idea and waived any future royalties, merely asking that his name be attached to the invention.
Some highlights have been hidden or truncated due to export limits.
Some highlights have been hidden or truncated due to export limits.
Some highlights have been hidden or truncated due to export limits.
When Steinmeyer writes about the theater a century ago, he speaks as one who's met modern versions of the characters, who's even reconstructed their tricks onstage. So when, for example, he describes David Devant's Mascot Moth (which Steinmeyer reproduced in Doug Henning's Merlin),
In books of tricks, the recipe is specific-here's the effect and here's the method-implying that executing and concealing the secret is always the ultimate goal of the exercise.
older brother, Alfred, who had also worked as a magician, continued Stodare's show and performed several variations on the Sphinx illusion,and other performers soon copied the effect. But the famous Egyptian head was never more successful than under the supervision of this dashing and dramatic originator.