
H is for Hawk

Their existence gives the lie to the thought that the wild is always something untouched by human hearts and hands. The wild can be human work.
Helen Macdonald • H is for Hawk
I love it because of all the places I know in England, it feels to me the wildest. It’s not an untouched wilderness like a mountaintop, but a ramshackle wildness in which people and the land have conspired to strangeness. It’s rich with the sense of an alternative countryside history; not just the grand, leisured dreams of landed estates, but a his
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an ache in my heart I can’t place.
Helen Macdonald • H is for Hawk
At five in the morning I’d been staring at a square of streetlight on the ceiling, listening to a couple of late party-leavers chatting on the pavement outside. I felt odd: overtired, overwrought, unpleasantly like my brain had been removed and my skull stuffed with something like microwaved aluminium foil, dinted, charred and shorting with sparks.
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Here’s a word. Bereavement. Or, Bereaved. Bereft. It’s from the Old English bereafian, meaning ‘to deprive of, take away, seize, rob’. Robbed. Seized. It happens to everyone. But you feel it alone. Shocking loss isn’t to be shared, no matter how hard you try. ‘Imagine,’ I said, back then, to some friends, in an earnest attempt to explain, ‘imagine
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The ground has a deep crust of snow. Everything is poised as if it might shake itself.
Helen Macdonald • H is for Hawk
I SAT ON the train clutching the folder with the speech inside, ankles burning from the heater on the floor. Outside, winter breathed in. Papery skies. Glittering trees. A wash of backlit fields that folded and shrank as the city grew.
Helen Macdonald • H is for Hawk
I realise, too, that in all my days of walking with Mabel the only people who have come up and spoken to us have been outsiders: children, teenage goths, homeless people, overseas students, travellers, drunks, people on holiday. ‘We are outsiders now, Mabel,’ I say, and the thought is not unpleasant. But I feel ashamed of my nation’s reticence. Its
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The rabbit and I look at each other. It realizes this stare is an involvement in death, and disappears. Mabel doesn’t see it until the moment where the rabbit becomes air as it pops back down the hole, but she has to fly anyway, to the after-image, just in case;