Guidebook for British art. Chapter 4. Nature's Masterpieces: British Art in the Landscape
The 25 Essential Gardens to See in Your Lifetime
nytimes.com
Whenever I drive through the countryside and up the hills, I imagine forms placed in situations of natural beauty and I wish more could be done about the permanent siting of sculptures in strange and lonely places.
‘I the sculptor am the landscape’ - Barbara Hepworth’s Roots of Stone - The London Magazine
Fontainebleau presents landscape as a constructed memory. A stand of autumnal trees anchors the left edge. Across the lower field a hillside unfolds in small triangular planes of cobalt, ultramarine, violet, crimson and mustard. At right, a radiant ochre rectangle holds a dark red disc. Its light drifts diagonally, setting a clear order of values
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