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Good in a Room
However, for those of you who want to learn more about how language is used to persuade in other mediums, I recommend the following books: • Made to Stick, by Chip Heath and Dan Heath • The Copywriter’s Handbook, by Robert W. Bly
Stephanie Palmer • Good in a Room
The chapters in this section are devoted to the four most important mini-meeting situations: • Making requests • Keeping in touch • Following up • Saying no
Stephanie Palmer • Good in a Room
The Pitch (Chapters 26 and 27) Traps: Various—boring the buyer, presenting poorly, missing the target Goal: To make a natural presentation that hooks the buyer and maintains his interest
Stephanie Palmer • Good in a Room
have, the keys to being likeable are to be empathic and interested. Empathy means that you care. You can step into the
Stephanie Palmer • Good in a Room
- To build rapport with the buyer. As you know, rapport is the
Stephanie Palmer • Good in a Room
What to Do If the Buyer Says No
Stephanie Palmer • Good in a Room
Closing (Chapters 28 and 29) Traps: Various—being too aggressive, impatient, or unpolished Goal: To get a commitment, exit smoothly, and leave a great last impression
Stephanie Palmer • Good in a Room
What’s Your Name?
Stephanie Palmer • Good in a Room
are listening for the following three magical pieces of communication: 1. A simple goal statement 2. A simple positioning statement 3. Hot words