
Good in a Room

competition. When you know how your competitors structure their presentations, you can design yours differently to highlight your uniqueness.
Stephanie Palmer • Good in a Room
Negotiate Before Anything Is at Stake
Stephanie Palmer • Good in a Room
- When you say no, don’t use upturn phrasing. This is where
Stephanie Palmer • Good in a Room
- What do I want? 2. What do they want? 3. What do they expect?
Stephanie Palmer • Good in a Room
• Using a weak opening move. “This is a story, based on my life, that covers loss, sadness, anger, and isolation.” Okay, great. But what’s the idea? Whom is it for? What’s the hook? If you can’t start your pitch with a great first sentence, the buyer isn’t listening to the second
Stephanie Palmer • Good in a Room
of whether or not you build rapport and learn. Thus, return to Stage 3, Information Gathering. Gently inquire as to why the buyer doesn’t want to move forward. Try saying something like: • Could you explain your thinking on this? • What would work for you? • What’s not working for you?
Stephanie Palmer • Good in a Room
- Provide context without being patronizing. Anything that is
Stephanie Palmer • Good in a Room
problem may be your expectations. Creating a pattern of success is all about defining success in a useful way. This means
Stephanie Palmer • Good in a Room
• “How long have you been working on it?” • “Where are you in the process?” • “What else can you tell me?” • “What else do you have?” • “How much would this cost?” • “Why you and not a competitor?” • “Why now and not later?” • “Why shouldn’t I do this?”