Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us About Digital Technology
Our current society reveres some kinds of labor and debases others, and the power of technology to improve our world and livelihood is not equally distributed.
Lizzie O'Shea • Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us About Digital Technology
The networked computer represents an exciting opportunity to reshape the world in an image of sustainable prosperity, shared collective wealth, democratized knowledge and respectful social relations. But such a world is only possible if we actively decide to build it. Central to that task is giving ordinary people the power to control how the digit
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History can weigh like a millstone; archaic distinctions and practices can drag upon our freedom and agency. But detachment from the past has its own pitfalls. It means that the past that survives is a default genealogy, a mere reflection of the status quo, fixed and irrelevant. It loses its living value, its capacity to help the current generation
... See moreLizzie O'Shea • Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us About Digital Technology
The purpose of a usable past is not simply to be a record of history. Rather, by building a shared appreciation of moments and traditions in collective history, a usable past is a method for creating the world we want to see. It is about “cutting the cloth” of history, as Brooks put it, to suit a particular agenda. It is an argument for what the fu
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Knowing that others have desired the things we desire and have encountered the same obstacles,” Brooks argued, “would not the creative forces of this country lose a little of the hectic individualism that keeps them from uniting against their common enemies?”
Lizzie O'Shea • Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us About Digital Technology
Our past tells us about our present—how it was just one of many possible futures claimed by those who came before. In this context, both the creation and use of technology express a kind of power relation.
Lizzie O'Shea • Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us About Digital Technology
This led him, in 1918, to call for the creation of what he called a “usable past.” Speaking to his contemporaries in an intelligent and vivid essay, he outlined the need for history that creative minds could draw upon. “The present is a void,” he wrote, “and the American writer floats in that void because the past that survives in the common
Lizzie O'Shea • Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us About Digital Technology
This kind of thinking sees the future as defined by universal progress—rather than by a messy, contradictory struggle between different interests and forces—and never driven by the aspirations of those from below. It reduces the value of human agency to entrepreneurialism and empty consumerism.
Lizzie O'Shea • Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us About Digital Technology
Society is often treated as an object, which digital technology does things to, rather than a community of people with agency and a collective desire to shape the future.
Lizzie O'Shea • Future Histories: What Ada Lovelace, Tom Paine, and the Paris Commune Can Teach Us About Digital Technology
If we are to explore the possibilities of digital technology, we need greater engagement between historians and futurists, technologists and theorists, activists and creatives. Synthesizing thinking across these fields gives us the best chance of a future that is fair.