Farber on Film: The Complete Film Writings of Manny Farber: A Library of America Special Publication

pestiferous

yeggs;

Why is all the attention going toward the De Niro charm as a displaced country boy who is out of his depth, unless the authors are obsessed by Industry staples?

dyspeptic

fortissimo

When this movie’s going right, it makes the spectator aware not only of repetitiousness but of the actual duration of a commonplace act.

What’s really disgusting about Taxi Driver is not the multifaced loner but the endless propaganda about the magic of guns.

The conditions of a minimal underground classic—that the shape of a film be discernible in any single frame; that a single-camera strategy be the basis for the movie’s metaphysic and any situation within the film; that the repetitions of the camera, which is always obviously present, creates a spirituality; and that the field of examination be more

(“cliche is in a sense the purest art of intelligibility: it tempts us with the possibility of enclosing life with beautifully inalterable formulas, of obscuring the arbitrary nature of imagination with an appearance of necessity” is a Leo Bersani quote which appears twice in Rainer’s Film