Farber on Film: The Complete Film Writings of Manny Farber: A Library of America Special Publication

soporific

The conditions of a minimal underground classic—that the shape of a film be discernible in any single frame; that a single-camera strategy be the basis for the movie’s metaphysic and any situation within the film; that the repetitions of the camera, which is always obviously present, creates a spirituality; and that the field of examination be more

pestiferous

When this movie’s going right, it makes the spectator aware not only of repetitiousness but of the actual duration of a commonplace act.

The point isn’t that people don’t have many sides to their character, but that the filmmakers, going for hot and heavy scores, bend the material for spiking effects.

The Man Who Cheated Himself.

What’s really disgusting about Taxi Driver is not the multifaced loner but the endless propaganda about the magic of guns.

yeggs;

(“cliche is in a sense the purest art of intelligibility: it tempts us with the possibility of enclosing life with beautifully inalterable formulas, of obscuring the arbitrary nature of imagination with an appearance of necessity” is a Leo Bersani quote which appears twice in Rainer’s Film