‘End of the World Vibes’: Why Culture Can’t Stop Thinking About Apocalypse

The signal fact about the end of the world is that it has not happened yet, despite numerous predictions.

We love to talk about the death of this and the fall of that, and to boast that we are there to witness it. We do like to feel special.

In a 2020 YouGov poll, nearly one in three Americans said they expected an apocalyptic event in their lifetimes, with the Christian Judgment Day relegated to fourth place by a pandemic, climate change and nuclear war; zombies and aliens brought up the rear.

In her 2021 novel Fake Accounts, Lauren Oyler pokes fun at what she sees as a propensity to wallow in self-loathing and impotence: “the popular turn to fatalism could be attributed to self-aggrandizement and an ignorance of history, history being characterized by the population’s quickness to declare apocalypse finally imminent despite its permanen... See more

Contemplating annihilation can certainly be a valuable means of reckoning with death, loss, abandonment and a capricious universe, but one can also detect the rumbling of a bad conscience – a dark suspicion that the end might be richly deserved. Usually, a writer will pass some kind of judgment on the world that is in peril. It is not hard to tell ... See more

In this way we attempt to take the mess and mystery of the future, which has always been frightening because it is the ultimate unknown, and tidy it into a story.

In 1919, Dutch historian Johan Huizinga wrote that it was “bad form to praise the world and life openly. It was fashionable to see only its suffering and misery, to discover everywhere signs of decadence and of the near end – in short, to condemn the times or to despise them.”

As Frank Kermode argued in his classic 1967 book The Sense of an Ending, we resist the idea that we live in the middle of history, unable to know how it all ends or to be a part of the climactic drama. To make sense of life, Kermode wrote, “we need fictions of beginnings and fictions of ends, fictions which unite beginning and end and endow the int... See more

“Such convictions in the mouths of safe, comfortable people playing at crisis, alienation, apocalypse and desperation, make me sick,” complains the protagonist of Saul Bellow’s 1964 novel Herzog. “We must get it out of our heads that this is a doomed time, that we are waiting for the end, and the rest of it ... Things are grim enough without these ... See more